Bastille's composition, "Give Me The Future," embarks on a thematic exploration that seamlessly merges technological optimism with a profound yearning for the enigmatic. In the introductory verses, the artist articulates a newfound perspective, symbolized by the metaphorical transition to a secondary phase of existence marked by the possession of "two open eyes." This transformative experience unfolds within the immersive realm of a virtual reality, the artist adorned with a metaphorical "headset on," embodying a pursuit of happiness and adaptability. A notable plea arises to "be your Midas king," conveying a desire for versatility, promising to imbue joy by metaphorically "touching everything."
A recurring motif surfaces, where the artist endeavors to "catch a fever dream," evoking aspirations for an ethereal and surreal experience. The juxtaposition of a desert against the backdrop of the deep blue sea symbolizes an innate yearning for life's contrasts and diversity. The acknowledgment that our identities are shaped by collective experiences surfaces in the declaration that "we ain't nothing but the things we've seen." This sentiment is further underscored by the poignant request to "plug me in," epitomizing the desire to connect with a digital or virtual reality.
The chorus emerges as a potent anthem, urging an embrace of the unknown with the resounding plea to "give me the future." The depiction of this future as "golden and bright" is accompanied by vivid imagery, invoking the act of catching a fever dream amid dazzling lights. The lyrics bravely confront the uncertainties of life, emphasizing that "nothing is certain." The notion of an unfinished song becomes a metaphor for an ongoing journey, where "new melodies rise up with the Sun," resonating with the eternal optimism for what lies ahead.
The verses usher in a tonal shift, as the artist contemplates the pursuit of personal freedom and joy, encapsulated in the metaphorical dream of "electric sheep" and the quest for a "little space to breathe." The recurring refrain, "I've been trying to catch a fever dream," perpetuates the idea of an unrelenting pursuit of an extraordinary and almost surreal experience.
The latter part of the composition delves into the thematic intersection of love and control. The artist vividly describes an encounter with an "endless love that takes control," exposing an insatiable appetite for more. This emotional exploration intricately intertwines the themes of love and the allure of an unknown future.
The concluding lines introduce a contemplative questioning tone, probing the reasons for leaving and emphasizing the uncertainty accompanying the dawn of a new day. The repetitive inquiry, "Why would we leave?" suggests a reluctance to depart from the current state, underscored by the declaration that such departure would be "good for you, it's good for me."
In summation, Bastille's "Give Me The Future" offers a nuanced and multifaceted exploration of transformation, technological escapism, and the unyielding desire for a promising yet uncertain future. The lyrics weave a captivating narrative, inviting listeners to introspect on the limitless possibilities of the unknown while reflecting on the intricacies of love and personal freedom.
