The National's song "Walk It Back" serves as a poignant exploration of various themes including self-reflection, coping mechanisms, and the struggle for mental equilibrium within a tumultuous world. Through its introspective lyrics, the song offers a glimpse into the inner turmoil of the narrator as they endeavor to navigate life's intricacies.
The opening lines of the song, "I'm always thinking about useless things, I'm always checking out," establish a tone of perpetual mental activity and detachment. The repetition of "I'm always checking out" hints at a habitual inclination towards disengagement or detachment from reality, perhaps as a means of coping with the complexities of existence.
As the song unfolds, the narrator conveys a steadfast determination to resist succumbing to negativity. Lines such as "Forget it, nothing I change changes anything, I won't let it ruin my hair," exude a sense of resignation mingled with defiance. The metaphorical reference to not allowing adversity to "ruin my hair" underscores a resolve to maintain composure and dignity despite external pressures.
A recurring motif throughout the song is the refrain, "I only take up a little of the collapsing space," which reflects the narrator's perception of their own insignificance amidst broader societal or existential dilemmas. The apprehension of making errors or "fuck[ing] it up" accentuates a prevailing sense of vulnerability and fragility in the face of overwhelming circumstances.
A notable departure within the song is the inclusion of a spoken word excerpt, offering commentary on the socio-political landscape and the concept of reality manipulation. This segment provides a stark contrast to the internal struggles depicted earlier in the song, highlighting the discord between personal introspection and external forces of power and influence.
The closing verses of "Walk It Back" convey a tone of resilience and fortitude as the narrator resolves to press onward despite the weight of their burdens. The imagery of traversing through Lawrencetown with one's own body metaphorically symbolizes self-reliance and perseverance in the midst of adversity.
In the final lines, the juxtaposition of the plea to "don't go dark on me" with the reassurance that "It's all alright" encapsulates a poignant yearning for connection and solace amidst chaos. The acknowledgment of needing "you light" evokes a sense of longing for support and enlightenment on the journey towards reconciliation and inner peace.
