Shortlings

Meaning of Treasure - Mary Heather Hickman

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EN - FR - ES - DE

Mary Heather Hickman's composition, "Treasure," intricately dissects the intricacies of romantic relationships, navigating the delicate balance between societal expectations and individual perceptions. The song weaves a narrative where the central figure is drawn to individuals who defy conventional standards, deeming them treasures despite societal inclinations to label them otherwise.

The initial verses lay the foundation for the overarching theme, portraying a paradoxical image of a man whose external attributes might align with preconceived notions of trouble. The lyrics depict him as, "Six-foot five with a couple tattoos, A smokin' habit and a drinking problem," characteristics that typically carry negative connotations. However, the protagonist counters societal judgments, deeming this individual her "prince charming" and displaying a willingness to transcend superficial assessments.

The lyrical narrative delves further into the man's tumultuous history, acknowledging indiscretions like a DUI from a previous relapse. Despite these apparent shortcomings, the protagonist not only accepts them but expresses a profound desire for commitment, stating, "If he spent a couple nights in the county jail, Well, somebody get me a wedding veil." This perspective reframes perceived flaws as endearing quirks rather than insurmountable obstacles.

A recurring refrain punctuates the song, encapsulating the essence of the protagonist's romantic predilections. "I can't change 'em, I can't fix 'em, But damn, I sure can pick 'em," serves as a forthright admission, reflecting self-awareness. It conveys the acknowledgment of an inability to alter others while underscoring a consistent inclination to engage with individuals who bring inherent challenges.

The chorus magnifies the thematic core, drawing a metaphorical parallel between picking up both literal and metaphorical "trash" and labeling it as "treasure." This metaphor becomes central to understanding the protagonist's tendency to gravitate towards partners with perceived flaws, assigning value to what societal norms might otherwise dismiss. "I'm just picking up trash and calling it treasure, I'm picking up trash and calling it treasure," reinforces this unconventional perspective on the worth of relationships.

Further exploration within the lyrics unveils the tension between societal expectations and the protagonist's personal inclinations. An acknowledgment of the disparity between the approved "Yes ma'am" types preferred by the protagonist's mother and the attraction to those providing excitement and "good times" showcases a deliberate departure from traditional norms.

The song's culmination reflects upon the types of individuals the protagonist consistently attracts – encompassing liars, losers, and those influenced by substances. Despite the recognition of these patterns, the protagonist candidly admits to perpetually choosing such individuals. The repetition of the chorus in the concluding verses emphasizes the paradoxical nature of these romantic choices, solidifying the central theme of discovering value in what society may perceive as discarded or undesirable.


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