Shortlings

Meaning of Sleep Well Beast - The National

EN - FR
EN - FR

The National's composition, "Sleep Well Beast," unfolds as a profound exploration of poignant themes, including loss, introspection, and the intricate dynamics within relationships. The opening lines, "We've been stuck out here in the hallway for way way too long, I'm at a loss, I'm at a loss. I'm losing grip. The fabric's ripped," establish an atmosphere of emotional turbulence, symbolized by the metaphorical hallway, portraying a sense of entrapment within an unresolved situation.

The entreaty to "go back to sleep" operates as a metaphor, urging listeners to delve into the narrator's emotional landscape. The expressed desire to drive, think, and figure things out signifies a quest for resolution and a return to a more stable period. The repetition of "I'll tell you about it sometime, the time we left" introduces a mysterious narrative element, fostering an air of speculation regarding the circumstances surrounding the departure.

The lyrical exploration progresses with themes of loss, encompassing both parental figures and a sense of direction. The juxtaposition of assuming fatherhood while still grappling with the sensations of being a son introduces layers of emotional complexity. The vivid imagery of encountering someone with "wild white eyes" at the end of a party, sipping gin from a teacup, unveils a glimpse into a clandestine, potentially troubled, postcard life.

A thought-provoking metaphor arises with the line, "We leave our saviors wrapped around the necks of new machines," suggesting a sacrifice or dependence on technology. Subsequently, the mention of men resembling the narrator offering water only to cut down those they sought to save introduces a stark commentary on the ambivalence inherent in human actions.

The narrative takes a personal turn with a return, revealing a profound shift in circumstances. The palpable longing for connection surfaces as the narrator struggles to hear a familiar voice. The lines, "You were always my last second bright spot in the distance, Thought that you were something good, That I would always keep," convey a profound sense of yearning and the arduous task of preserving goodness amid inevitable change.

The concluding repetition of the phrase, "I'll still destroy you someday, sleep well beast, you as well, beast," delivers a poignant punch. It encapsulates the duality of destructive tendencies coexisting with a sincere desire for peace and rest. "Sleep well beast" serves as both a wish and a warning, encapsulating the intricate emotions and themes that characterize The National's evocative composition.


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