"Las Cuatro Fiestas" by Diomedes Diaz and Juancho Rois is a vibrant and picturesque song that encapsulates the joyous spirit of Colombian festivities. Through its lyrics, the song paints a vivid picture of the coastal landscapes, the rhythmic beats of cumbia, and the collective anticipation of the community as they prepare for the celebrations. The song celebrates not just one, but four significant festive occasions: Christmas, New Year's, the Day of the Immaculate Conception on December 8th, and the Carnival. Each of these celebrations is portrayed with vivid imagery and a deep sense of cultural pride, offering listeners a glimpse into the rich traditions of Colombia.
The opening lines of the song, "Por la ribera se ven / Arbustos y cocoteros / Y los negros pescadores / En canoas vienen ya," set the scene along the riverbanks, where fishermen in canoes are a common sight among the coconut trees. This introduction not only establishes a serene setting but also highlights the harmonious relationship between the people and their natural surroundings. The imagery evokes a sense of peace and anticipation as the community prepares for the festivities, with the illuminated nights reminiscent of Eden, suggesting a paradise on Earth where joy and celebration reign supreme.
As the song progresses, the focus shifts to the specific festivities, starting with the Day of the Immaculate Conception on December 8th. "Que linda la fiesta es / En un 8 de diciembre," the lyrics exclaim, celebrating the beauty and joy of this religious holiday. The mention of "traquitraqui" and the desire to drink reflects the lively atmosphere and the communal spirit of togetherness and celebration. The anticipation of Christmas and the New Year is captured through the eagerness to partake in the festive customs, including drinking and dancing, which are integral parts of these celebrations.
The verse dedicated to the Carnival, "Pero que sabrosas son / Las fiestas de carnavales," underscores the infectious energy and excitement that the Carnival brings. With its masks, costumes, and parades, the Carnival is depicted as a time of unbridled joy and revelry, where the beats of the drum invite more to join the dance. The "batalla de flores" (battle of flowers) and the parade of floats and queens bring color and chaos, embodying the spirit of Carnival as a celebration of life and community.
Central to the song is the character Juan, who is repeatedly urged to join in the festivities by rowing to the celebrations, drinking, and dancing. "Rema, rema / Que va llegando Juan," and "Toma, toma / Tomate un trago Juan," serve as a call to action, not just for Juan but for all listeners, to immerse themselves in the joy and camaraderie of the occasions. Juan symbolizes the everyman, invited to partake in the collective happiness and to contribute to the festive atmosphere.
In conclusion, "Las Cuatro Fiestas" is more than just a song; it is a celebration of Colombian culture, traditions, and the communal joy that festive occasions bring. Diomedes Diaz and Juancho Rois have masterfully captured the essence of these celebrations, weaving together the anticipation, the vibrant energy, and the communal spirit into a musical tapestry that resonates with listeners. Through its evocative lyrics and rhythmic melody, the song invites everyone to join in the celebration of life's beautiful moments, marked by the four significant festivities that bring people together in joy and unity.
