Shortlings

Meaning of Feel - Mammoth WVH

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EN - FR

Mammoth WVH, under the artistic leadership of Wolfgang Van Halen, unveils a profound narrative in their composition "Feel," extending an invitation to the audience into a realm of emotional intricacies and introspection. The initial verses, marked by the assertion "You're not who I thought I'd be, I'd love to see you try," establish the groundwork for a lyrical exploration that centers around self-discovery and grapples with the complexities of personal identity. These early expressions convey a sentiment of disillusionment, subtly alluding to unmet expectations and a yearning for authenticity.

Progressing through the lyrics, Mammoth WVH immerses itself in the theme of self-obliteration, articulating, "I'm losing every part of me, It's spreading to your smile." This evocative imagery paints a vivid portrait of profound emotional strife, where the erosion of the self is poignantly reflected in the external countenance of those surrounding. The metaphorical interplay between personal dissolution and its reverberations in outward appearances enhances the lyrical narrative, adding nuanced layers to the composition.

The chorus unfurls a tableau of emotional tumult with lines like "Drowning slowly, Now you're on display, Cold and lonely, Right in your own way." The deployment of stark imagery serves to accentuate the depth of emotional struggle, portraying a pervasive sense of isolation and vulnerability. The recurring plea, "Let me down tonight," resonates as a fervent desire for emancipation from the internal turbulence that permeates the song.

Transitioning into the middle verses, "Feel" introduces an air of resignation and acceptance toward the manifold facets of closure. Phrases such as "There's more than just one end to this, I've known it for a while, There's more than just one thing to miss, I'll turn my back and smile," encapsulate a nuanced perspective on concluding chapters and the poignant acknowledgment that bidding farewell involves recognizing a spectrum of experiences.

As the composition approaches its zenith, a palpable emotional intensity burgeons. The repetition of the phrase "Oh-oh, I can't tell you" communicates a profound internal struggle, an inability to articulate the depths of emotion. The subsequent declaration, "To be free from you, oh-oh," signifies a pivotal moment of liberation, suggesting an emergence from the emotional entanglement that serves as the focal point of the song.

In the final refrain, the listener is once again enveloped in the emotive plea of "Let me down tonight." The cyclic recurrence of this entreaty underscores an enduring yearning for catharsis, reinforcing the overarching thematic currents of the composition—navigating intricate emotions and seeking liberation from internal struggles. "Feel" thus stands as a testament to Mammoth WVH's proficiency in weaving intricate emotional tapestries through their lyrics, extending an invitation for the audience to embark on a contemplative journey through the nuanced spectrum of human experience.


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