Shortlings

Meaning of Existed - Biffy Clyro

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Biffy Clyro's contemplative composition, "Existed," plunges into the intricate landscape of self-discovery, grappling with the complexities of negotiating societal expectations and forging a sense of personal identity. The lyrics unfurl as a poignant exploration of an individual's endeavor to carve out a place of belonging amidst the pervasive judgments and opinions of others.

The initial verses, commencing with "I heard the whispers, I heard their sighs and moans," establish a thematic foundation, portraying an individual finely attuned to the disapproving murmurs emanating from the external milieu. The desire to "upset some assholes" emerges as an act of defiance, a steadfast declaration rejecting conformity to arbitrary societal expectations.

The lyrical discourse underscores the inherent ambiguity within societal divisions, articulating "You can't pick a side 'til the lines are drawn." This refrain is coupled with an encouragement to eschew fear in questioning and seeking understanding, emphasizing a deliberate departure from imposed constraints. The declaration that "this is how it starts" hints at an unfolding journey of profound self-discovery and transformative evolution.

The chorus emerges as a poignant anthem of resilience, acknowledging the universal experience of making mistakes. The reiterated phrase "We all get it wrong sometimes" serves as a resounding reminder of shared fallibility, coupled with an unequivocal refusal to be deterred by missteps, encapsulated in the lines "Doesn't mean we shouldn't try, try, try." This stance advocates for a continual commitment to effort and growth.

The narrative takes a visceral turn with vivid imagery portraying "kissing the concrete" and lying "face down in the road." These evocative descriptions symbolize a figurative descent, a deliberate attempt to connect with the rawness of existence. The entreaty to "pick a side or you don't belong" and the acknowledgment that enemies may be friends wronged introduce layers of complexity to interpersonal dynamics.

The recurring chorus resurfaces, reinforcing the overarching theme of embracing imperfections and aspiring for improvement. The rhythmic repetition of "We can be and be better now" transforms into a resonant mantra, echoing the sentiment that growth is an ongoing process sculpted by lessons learned and bridges burned.

In the concluding verses, the lyrics distill the essence of the song's profound message. The steadfast acknowledgment that "We all get it wrong sometimes" persists, accompanied by a call to "realize we wanna get it right next time." This denouement carries a hopeful undertone, encapsulating the recognition that improvement is within reach, contingent upon assimilating lessons learned and bridges burned into the transformative journey depicted in "Existed."

In summation, Biffy Clyro's "Existed" unfurls as a masterful exploration of self-discovery, resilience, and the unwavering pursuit of authenticity. The lyrics deftly navigate the intricate labyrinth of societal expectations, acknowledging the inevitability of mistakes, and embodying a continuous quest for improvement. The composition stands as a testament to the enduring human spirit, celebrating the capacity to embrace imperfections while tirelessly striving for a more refined version of oneself.


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