"Basquiat," a song by Nigerian artist Ahmed Ololade, professionally known as Asake, stands out as a notable work in the realm of modern music, blending self-expression, artistic homage, and a plethora of cultural references. Asake's emergence in the Nigerian music industry marks a significant development, distinguished by a unique amalgamation of styles reminiscent of artists like Bella Shmurda and Zinoleesky, yet characterized by a softer, deeper vocal tone. His musical journey, originating from sharing freestyles online, has seen a meteoric rise, culminating in chart-topping hits in Nigeria.
The song "Basquiat" is more than a melodic allure; it is a profound homage to the self. In this composition, Asake aligns himself with legendary icons such as Ebenezer Obey, El Chapo, and Al Capone, utilizing these figures as metaphors to encapsulate diverse aspects of power, leadership, and authority. The eponymous reference to the iconic artist Jean-Michel Basquiat is a deliberate choice, positioning Asake as a living embodiment of art, mirroring Basquiat's raw, uninhibited expressionism.
In its lyrical essence, "Basquiat" radiates confidence. Asake's lyrics articulate a firm belief in his capabilities and artistry, drawing a symbolic parallel with the strength and resolve of a .44 magnum revolver. The chorus of the song is a reinforcement of this self-perception, depicting Asake as "walking poetry" and a "work of art," an allusion to the creative prowess of Jean-Michel Basquiat. The lyrics emphasize themes of wealth, peace, and a conscious avoidance of unnecessary drama, underlining the priorities that guide his life.
The verses of "Basquiat" further accentuate themes of self-confidence and uniqueness. Asake’s lyrical composition sees him comparing himself to figures of influence, reflecting a sense of audacity and resilience in the face of criticism. A notable element is his tribute to his mother, referred to as "my Sphinx, my queen," highlighting the profound influence she holds in his life. The song also interweaves references to religious texts, such as the "Song of Solomon" and Prophet Muhammad, showcasing Asake's commitment to knowledge and spiritual development.
The album "Work of Art," which includes "Basquiat," draws thematic inspiration from the life and works of Jean-Michel Basquiat. The album cover itself features Asake in a style that nods to Basquiat, incorporating elements of the artist's painting style. This visual representation is in harmony with the lyrical content, creating an artistic expression that not only celebrates Basquiat's legacy but also firmly establishes Asake's unique identity in the music world.
In sum, "Basquiat" by Asake is a multifaceted composition, richly woven with cultural and artistic references, converging into a compelling statement of self-assurance and artistic identity. The song transcends mere musicality; it stands as a testament to the lasting impact of art and the importance of embracing one's individuality in the quest for greatness.
