Bastille's composition, "Bad Decisions," functions as a compelling narrative that traverses the nocturnal cityscape, effectively encapsulating the nuances of late-night escapades and the consequential decisions made under the influence of the night. The opening lines, "It's a quarter past midnight / As we cut through the city," adeptly establish the temporal and spatial context, setting the stage for the unfolding lyrical journey.
The song introduces a recurrent theme of dichotomy, underscored by the juxtaposition of "Good times, bad decisions." This duality serves to encapsulate the intricate emotions that accompany evenings of revelry and spontaneity. Bastille adeptly captures the restless energy inherent in urban landscapes during the nocturnal hours, crafting a vivid portrayal of the city's dynamic atmosphere.
A notable element within the composition is the poignant reference to the iconic song "Love Will Tear Us Apart." This intertextual allusion enriches the narrative by invoking a classic exploration of love's fragility. Bastille's incorporation of this reference adds layers of meaning to the song's examination of relationships and the ramifications of impulsive choices.
The lyrics progressively convey a sense of urgency, palpable in the metaphorical act of "running through a red light." This imagery conveys a collective inclination to defy boundaries and embrace the exhilaration of the present moment. The vivid depiction of attempting to "burn the night away" underscores the ephemeral nature of the experiences pursued by the individuals in the narrative.
A poignant bridge emerges, introducing a plea for understanding and coherence within the chaos. The lyrics implore, "Help me piece it all together, darling / Before it falls apart." This moment of vulnerability amidst the tumult emphasizes the innate human desire for connection and coherence when confronted with the unpredictable trajectory of life.
The latter segment of the song delves into introspection, acknowledging the tendency to underappreciate what one has until it is lost. The refrain, "We never know what we have / We never knew what we had," encapsulates the poignant realization of the transient nature of moments and relationships.
The concluding lines of the composition, "It's a quarter past midnight / And the secrets are flowing," provide a glimpse into the aftermath of the night. Here, revelations unfold, and inhibitions dissipate, completing the lyrical journey with a profound exploration of the perpetual cycle of pursuing experiences, grappling with their consequences, and seeking connection amidst the chaos of a quarter past midnight.
