Pop Smoke's composition, "AP," serves as a dynamic reflection of the late rapper's lifestyle and proclivities, encapsulating the core of his persona. The lyrics, adorned with allusions to affluence, romantic pursuits, and his self-ascribed moniker as the "king of New York," construct a vivid tableau of Pop Smoke's charisma and self-assurance.
The commencement of the song, with the proclamation "Rico's going crazy again," establishes the energetic and assertive ambiance that pervades the composition. The recurrent emphasis on the phrase "AP" throughout the lyrics conveys a jubilation of triumph and opulence, specifically referencing the Audemars Piguet watch—a hallmark status symbol in the realm of hip-hop culture.
The initial verse serves as a window into Pop Smoke's discerning taste in women, articulating a predilection for "redbone" complexions and voluptuous figures. The mention of his stature as the "king of New York" and references to specific physical attributes like "black hair by the Regis and Pello" impart a personalized dimension to his brash lyrical approach. The inclusion of basketball luminary Ginóbili's name introduces a layer of cultural reference, underlining the breadth of his influences.
The subsequent verse delves into Pop Smoke's romantic escapades, unraveling the complexities of trust within relationships. He underscores the shifting dynamics and underscores the imperative of prioritizing financial success over emotional entanglements, thereby fortifying the recurrent themes of opulence and social standing.
Continuing in the same vein, Pop Smoke's verses persist in extolling his material acquisitions, from opulent jewelry to couture apparel. The enumeration of VVS diamonds, Elliot wedding bands, and the dismissal of conventional wedding rings conveys his unwavering commitment to a lavish lifestyle. The mention of chewing on an Aderall like a vitamin introduces a raw authenticity, offering a glimpse into his daily rituals.
The bridge of the song delves into Pop Smoke's ascendancy within the music industry, drawing parallels between himself and the legendary Ike Turner. The poignant line, "If Pop was alive, there would have been two of us," pays tribute to his own influence and underscores the void left by his premature demise.
In the final verses, Pop Smoke seamlessly weaves vivid imagery with references to tangible situations. From the specific mention of locations like Ace cleaners to allusions of legal tribulations with "Quano blew his trial," he crafts a narrative that is simultaneously personal and relatable. The inclusion of terms like "Woo" and "Runtz straight from Cali" infuses an authentic street credibility into his lyrical tapestry.
In conclusion, "AP" stands as a testament to Pop Smoke's unwavering confidence, material affluence, and the profound impact he left on the hip-hop landscape. The amalgamation of bravado, cultural allusions, and gritty storytelling renders it an indispensable track within Pop Smoke's discography, showcasing his distinctive style and indelible influence.
