Mura Masa's composition, "All Around the World," constitutes a melodic odyssey that spans continents, weaving a narrative that encapsulates themes of appreciation, triumph, and an unrestrained revelry in life's pursuits. The song's refrain, underscored by the assertive declaration "This goes for all around the world (grrah)," functions as both a proclamation and an enticement to participate in a global celebration.
The lyrical overture, particularly evident in the initial lines, communicates a resilience and fortitude to persevere. The phrase "To the world is gone / This goes all around the world (grrah) / So we carry on" signifies a resolute commitment to persist despite adversities, echoing the universal human experience of forging ahead in the face of challenges.
Within the verses, Mura Masa introduces an element of gratitude, expressing thanks for accomplishments and the accompanying rewards. The recurrent refrain of "Thank God I got it" underscores a sincere acknowledgment of blessings and achievements, imbuing the narrative with a humility that coexists with success. Lines such as "Thank God, cut the checks, they watchin'" and "Thank God I be countin' this money" boldly articulate a narrative of financial affluence and influence.
The artist intricately weaves elements of opulence into the composition, referencing luxurious cars like the Aston Martin and evoking the exhilaration of living on the edge. The question "Baby what's your favorite color Aston Martin?" introduces a touch of grandeur to the storyline, portraying a lifestyle marked by success and the indulgence in finer pleasures.
Mura Masa employs vivid imagery to convey the thrill of speed and the potency of high-end vehicles. Phrases like "Gotta hit on the gas just to get it started" and "Hear the 'Rari, hear it mumble, hear it roar" evoke a palpable sense of excitement, contributing to the overall dynamic and energetic ambiance of the song.
In the latter section of the lyrics, the song seamlessly transitions into a fusion of celebratory culture and personal introspection. References to getting started and getting retarded within the context of a vibrant celebration infuse the composition with an infectious energy. Lines such as "Say that she hate monsters / Engine started, she hate monsters / Engine farted, she hate monsters / Get retarded, I've been chillin'" contribute to a playful and carefree atmosphere.
"All Around the World" becomes a sonic encapsulation of a global jubilation marked by success, gratitude, and an unapologetic embrace of life's pleasures. Mura Masa, through the integration of catchy hooks, rhythmic beats, and vivid imagery, invites listeners to partake in the festivities of a life lived with abundance and exuberance.
